November Issue

here we are.
with the new issue featuring the stunning Navi Rawat photographed by Joey Shaw.
with a new editor in chief….me!
and tons of news coming out in the next issues.
donwload your own copy now and enjoy it.
I know you are so many out there and it’s exciting.
I know we need to grow up, issue by issue and that is my goal.
thank you for giving me this chance!

Martina Missoni
Editor in Chief
H magazine

H MAGAZINE – October the 8th, 2009

our second weekly issue has been published. Jordan Belfi on the cover and inside with a special exclusive interview. There’s also an interesting interview with Heather Tom this week and a magic Drew Barrymore.
All together with the new movie and dvd releases of the week. Feel free to download and enjoy your own copy.
A special thanks, the greatest ever for the beautiful simplicity of Isabelle Fuhrman, the first weekly cover of H magazine. The people, all of them, a very huge number of visitors, they all love her and we know for sure she deserves that. thank you Isabelle!

Florinda Elkam
Editor in Chief
H MAGAZINE

H magazine – now weekly

The new October issue has been published:
http://www.thehmag.com

H magazine, by today is a weekly magazine. Ready at your fingertips, for your free download every thursday, every week, bringing you inside the Hollywood style and the Hollywood life.
The first and only magazine dressing up the celebrities with a particular attention to the fashion tendences.

Hollywood and all the celebs will be here, on your own copy, ready to be downloaded on your portable devices, computers, iPhone, Blackberry.This week we start in the best way possible. With the fantastic Isabelle Fuhrman and her exclusive interview.The shots, of course, signed by the most loved and talented photographer at the moment in the Hollywood World, mr Joey Shaw.
Enjoy.

Florinda Elkam
Editor in Chief

September issue is out!

the sept issue of H magazine is out.
Inside, the amazing shots with Jessica Lowndes by Joey Shaw. There’s also a stunning Nicole Gale Anderson (Not a teen ager anymore), a brilliant Ernie Hudson and a beautiful Christina Moore.
We closed the august issue yesterday at midnight and we record 1.983.224 visitors in 1 month and over 820.000 copies downloaded.
Thank you and we hope you enjoy this new stunning cover with Jessica.

Florinda Elkam
Editor in Chief

september issue

Information is a Right

That was our goal since the beginning and that’s our target everyday when we work on this magazine.
We let advertising cover our budgets, because we believe the INFORMATION IS A RIGHT for every single
man or woman in a free world.

We agree with you

We agree
We are receiving hundreds of emails about Bree Turner and her shooting. Yes, we agree with all of you. She’s just fantastic there.
She deserved a cover as well, but we had to choose.
Anyway we are very happy you enjoy the pics.
She’s just stunning!
We completely agree with you.

H magazine – press release

Dear Sirs,
please find 2 minutes to read the following.
As we always mentioned, we have nothing to do with any printed or existing edition of H magazine even if we can find different ones around.
We are the first real H magazine, with registered trademark, ISSN number, and certified digital distribution, not using unreal and manipulated servers.
We are a team of journalists and contributors that have been working for years with so many printed magazine in NYC, Paris and Milan.
Any other edition is not affiliated with us and we would never want to.
The printed editions mostly they are trying to make 1% of our number of readers and copies downloaded to pay the bills at least with those percentages.
We would never be affiliated with any printed edition cause we DO NOT WANT TO!
That is the past, that is where the publishing business has been for years.
They are inventing to be out maybe not every month anymore, changing the paper and the printing solutions, but the result is the same one, they are falling down in their own past.
we are proud and glad to say
WE HAVE NOTHING TO DO WITH THEM!

This is for 3 most important reasons:
1st – We are free. Completely sure that the information is something that must be a free right in this world, we keep on this way. We live with the advertising and the investors, nothing will never come from the readers.
2nd – We work with the best contributors we can, putting together a team of people that you rarely can find just in the best fashion magazines worldwide. Digital is the present, not anymore the future and working for a digital project is giving you something more, not taking something from you as a professional. We need the best quality, well, we try to work with the best ones to get it.
No copies unsold. No trashy copies with no reason.
No waiting for 180 days to get the final numbers from the distribution.
We had more than 1 million readers only in 10 days with the new issue.
We are having more than 600,000 copies downloaded in the same days.
This is just what I care, nothing else.
We respect the others because we’ve been there in the same position and we know what does it means to see the sales falling down for a printed mag, the advertisers unhappy and the editor cutting the budgets.
That’s why we ask the same respect back, not just for the big numbers we have in a moment where the printed mags are gonna die.
We ask respect for the 1 million readers and more, for the advertisers investing.
If you don’t like this mag, just close it, just delete it, never come back. You didn’t spend any cent.
No registration required, no money for nothing.
3rd – We love the world we live and we care about. Not even 1 tree will be used for our magazines. In a moment where doing magazines means to have thousands of bills from uncontrolled distribution and unsatisfied advertisers.
They have more than the 70% of unsold copies, and this is for the well known mags, can you imagine the not really famous ones?
When you plan for a printed mag and I did it for 15 years before I joined this project, you must plan for the double or triple of copies considering the unsold….it’s insane, in this new digital and present world it’s just insane!

But we are HAPPY and PROUD to say we have nothing to do with any other H magazine in the world.
This is the only website we have:

http://www. thehmag.com

The Hollywood magazine.

If you don’t like it, just close the page, just delete it, you didn’t spend money at all.
Also, with our numbers, do you really think we need to be affiliated to someone else who’s selling maybe the 1% we do?
Because selling and financing a magazine can be done in just 2 ways: to the readers or to the advertisers. In this company we choosed only the second way. In the printed mag they choosed both to survive. It’s unaccettable for us.
For us, information is a free right for everybody in a free world!

Thanks for your attention.

Florinda Elkam
Editor in Chief
H magazine

Deborah Ann Woll – H magazine shooting

She’s considered one of the new stars in Hollywood. Leading Role in the Tv show True Blood.
We have an exclusive interview in this new august issue and mostly we have some incredible shots of Deborah taken in Hollywood the last july by the famous fashion photographer Joey Shaw.

Again, our digital magazine is already in the future, free to download, available for iPhone and Blackberry.
In the same issue, Bree Turner, Johnny Depp, the Orphan, India Eisley and much more.

enjoy and stay tuned.

Twilight Cast Surprise At Comic-Con

24 July 2009 11:56 AM, PDT

Robert Pattinson turned the tables on Twilight fans during a public interview session at a comic convention in California on Thursday by posing questions to the audience instead.

The hunky actor joined co-stars including Kristen Stewart, Taylor Lautner and Peter Facinelli at San Diego’s Comic-Con for a question and answer session, but Pattinson decided to take control and turn interviewer, much to the crowd’s delight.

Stepping up to the microphone, Pattinson sent the audience into a screaming frenzy when he singled out one girl in the room and asked, “What’s the weirdest thing you’ve ever been asked by a fan?”

Stewart joined in the fun too and turned to their co-star Nikki Reed, asking, “Were you worried about meeting the expectations of the characters?”

But that wasn’t all – the actors, who recently wrapped filming on Twilight sequel New Moon, also treated fans at Comic-Con to a sneak peek of the movie.

The Window (2008) – NYTimes.

Published: May 6, 2009 An old man with a failing heart determinedly drags himself from his sickbed and sneaks out of the house while his caretakers’ backs are turned. Wearing pajamas and a Panama hat, supporting himself on a cane and carrying his IV drip, he totters into the yard, unlocks the gate and wades unsteadily into a field that stretches to the horizon. Horses are visible in the distance, and a stiff breeze is blowing. Deep into the field, he pauses to urinate; then he suddenly loses strength and sinks into the grass in a stupor. More About This Movie Overview Tickets & Showtimes New York Times Review Cast, Credits & Awards Readers’ Reviews This nearly wordless scene of a frail old man summoning the will power to make a final plunge into the great outdoors is the most poignant moment in the Argentine director Carlos Sorín’s film “The Window,” which he describes in the production notes as “an involuntary remake” of Ingmar Bergman’s “Wild Strawberries.” The protagonist, Antonio (played by the noted Uruguayan playwright, novelist and actor Antonio Larreta), an 80-year-old writer living on his remote estate in Patagonia, is close spiritual kin to Isak Borg, the elderly professor played by Victor Sjostrom in the 1957 Bergman masterpiece. Portentous dreams infiltrate both films. “The Window” begins with a voice-over narration in which Antonio describes a recent dream in which he is 5 or 6, and his mother introduces him to a beautiful baby sitter whose face has suddenly come back to him after nearly 80 years. Where had he stored this memory? he wonders. Now that it has returned, he wants to keep her image in his mind lest he lose it forever. As portrayed in the movie, she is a barely discernible form in a fog of remembrance. The film goes on to follow a day — perhaps the last day — in Antonio’s life. As his bedroom clock ticks, he is slavishly served by two devoted housekeepers. His doctor, who visits, gently urges him to seek full-time hospital care, a prospect he refuses to consider, although his hacienda is so remote that communications with the outside world are conducted by shortwave radio. On this particular day he is awaiting the arrival of his estranged son, Pablo (Jorge Diez), a renowned concert pianist now living in Europe. To prepare for the visit he has hired a piano tuner to recondition an old upright that hasn’t been touched in years. As the tuner extracts discarded toy soldiers stuck between the strings, it is clear that the instrument, like its owner, is probably beyond repair. Even to the end, Antonio is a stern, imperious, hard-nosed skinflint. There is talk of checks that must be paid within a certain time. He is annoyed to discover that money he had hidden in a copy of Jorge Luis Borges’s “Universal History of Infamy” appears to be missing. Plucking a key from his pajamas, he instructs his servants to fetch a 40-year-old bottle of Champagne for a reunion toast. When Pablo eventually appears, he is accompanied by his wife (Carla Peterson), an impatient woman chained to her cellphone. The Champagne is poured, and a toast is drunk, but it is just a polite formality, as one generation awaits the passing of the old. “The Bather,” George Griffin’s three-minute short being shown with “The Window,” is an evocative collage in which an animated flipbook of a dancing woman is superimposed over the filmed image of a woman bathing behind a shower curtain to the sounds of Bach harpsichord music. The image of the bather through the curtain is as mysterious as Antonio’s baby sitter. THE WINDOW Opens on Wednesday in Manhattan. Directed by Carlos Sorín; written by Mr. Sorín and Pedro Maizal; director of photography, Julián Apezteguia; edited by Mohamed Rajid; music by Nicolás Sorín; production designer, Rafael Neville; released by Film Movement. Shown with a three-minute short film, “The Bather” by George Griffin, at Film Forum, 209 West Houston Street, west of Avenue of the Americas, South Village. In Spanish, with English subtitles. Running time: 1 hour 25 minutes. This film is not rated. WITH: Antonio Larreta (Antonio), María del Carmen Giménez (María del Carmen), Emilse Roldán (Emilse), Roberto Rovira (Afinador), Jorge Diez (Pablo) and Carla Peterson (Claudia).